Thursday, November 24, 2011

Shigurui: Death Frenzy

In the early Edo period, a cruel lord stages a tournament of eleven death matches between twenty-two samurai.  One of his vassals begs him to let the samurai fight with wooden swords to show their worth, as otherwise the only thing they will get is eleven dead samurai and a floor covered with intestines, but the lord refuses and begins the tournament.  The first two combatants are a blind ronin and a one-armed samurai.  It turns out that they have a history together, and the rest of the show fills in some of that history.

Technical details: the show looks gorgeous, with photorealistic characters, chiaroscuro galore, and a very limited color palette (mostly black, white, grey, and red) to complement the bleak story.  It's by Studio Madhouse, the same one that brought us the also gorgeous Death Note, Paranoia Agent, Claymore, Boogiepop Phantom, and Texhnolyze, so that should give you an idea of the art you'll see.  Since this is a very Japanese show about sword technique, I recommend the Japanese dub, since the actors in English are going to bandy around a lot of Japanese terms anyway.

Shigurui: Death Frenzy is a deconstruction of the romantic samurai film.  The show deals with the darker side of the samurai way, bringing up the harsher side of things like honor, proving your strength with the sword, succession, marriage, betrayal, apprenticeship, and the consequences of your actions.  The hallmark of the Kogan style showcased in the series is giving the opponent a new look, like cutting off an ear or nose.  Hardly the type of idyllic lifestyle depicted in Seven Samurai, The Hidden Fortress, or even the also deconstructive, but much more fun to watch, Rurouni Kenshin, where warriors strive to protect the weak (and keep those dojos clean).  Shigurui makes you think, "Why would anyone want to become a samurai at all?"  The lifestyle is completely devoted to sword fighting, innocent people may die so that the samurai can show the world they got revenge for the death of an apprentice while they look for the real killer, and the Kogan master, who does unseemly things to his daughter, is demented for most of the year and looks like he's a corpse in the third stage of decay.  Oh, and then there's the inherent violence.

This show is violent.  Violent violent violent violent violent violent violent violent.  Perhaps the most violent animation you'll ever see.  Or maybe just the most violent thing you'll ever see.  In twelve episodes, you'll see a lot of things that you never wanted to see, thing you never realised someone thought up, and things you never realised were even possible.  The show doesn't trivialise its excessive gore, however--the violence looks real and has plenty of consequences for all involved.  Like Texhnolyze, when someone is sliced with a sword, it matters.  The characters feel it, get bloody, and go into shock.  The wounds may even alter their lives.  The sword fights resemble actual sword fights, which are often over after a few slashes.  It's refreshing to see gore actually mean something instead of being there to excite the audience on a base level.  While unpleasant to watch, the violence is necessary to fully appreciate the darker side of the samurai.  Only watch this show if you've got an iron stomach.  You know, the kind of person who can watch Goodfellas while eating spaghetti.  Warning: don't eat Cherrios while watching episode 6.  Or anything else small and crunchy.

With harshness like this, a story better have some interesting, sympathetic characters so that you'll care when bad things happen to them.  But Shigurui doesn't.  There is nothing pleasant about any of these people.  You know you're in trouble when the only person you can pick out as the "hero" is the person who won't rape a girl when offered the chance.  Having only wicked, despicable characters can work--gangster films do it all the time because the characters are fun to be around in some way.  That doesn't happen here.  There's no one to root for, no one likeable, no one whom you'd invite to a party.  Though the show's only twelve episodes long, this lack of sympathetic characters poses a real challenge to sitting all the way through it.

The series also never comes back to its framing device of the death matches, which is odd, considering that the original manga does.  Nor do we see how one of the samurai lost his arm.  I've read the manga summary, and it looks interesting and quite tragic.  Too bad it didn't appear in the series, which could easily have been longer.

Shigurui is worth watching if you want to see the samurai period film broken into tiny pieces, but it does have a few serious flaws that keep it from being the masterpiece it really could have been.  I recommend watching these episodes alternating with season one or two of Rurouni Kenshin--Shigurui will be an antidote to Kenshin's shonen-style violence where you can take hit after deadly hit and never even pass out, and Kenshin will cheer you up after Shigurui's bleak bleakness.

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